Ne-Yo

Most Favor Song Of Him

"Mad"

Biography

     Songwriter, arranger, and vocalist Ne-Yo was born Shaffer Smith in Arkansas and raised in Las Vegas, NV. His start in the music industry came as a songwriter. Prior to exiting his teenage years, he penned material for Youngstown and broke through in 2004 with Mario's "Let Me Love You," one of the most-played songs on urban radio stations across the U.S. In My Own Words, the second album he recorded but the first one to be released, came out in early 2006 and reached the top of the charts, supported by the number one hit "So Sick." During the same year, he appeared on Remy Ma's There's Something About Remy and Ghostface Killah's Fishscale, and he had a hand in writing a pair of Top Ten hits: Beyonc?'s "Irreplaceable" and Rihanna's "Unfaithful." Because of You, his second album, followed in May 2007. It went to number one on the Billboard 200 and Billboard's R&B/Hip-Hop Albums charts as well, with its upbeat title track topping out at number two on the Hot 100. Year of the Gentleman was issued in September 2008, but not before another series of songwriting triumphs, including Rihanna's "Take a Bow" and Jennifer Hudson's "Spotlight." Propelled by the hits "Closer," "Miss Independent," and "Mad," Year of the Gentleman eventually went platinum, just like Ne-Yo's first two albums. After releasing three albums in three years, Ne-Yo went relatively quiet but returned in 2010 with Libra Scale, an album inspired by science fiction and comic books, as well as Stevie Wonder's and Michael Jackson's most ambitious recordings.

    

Ciara

Now Most Favor Song Of Her

"Ride-featuring Ludacris"

Biography

     Dubbed the "First Lady of Crunk & B" by the producer who should know, Lil Jon, singer Ciara burst onto the scene with the never-gonna-get-it single "Goodies," the breathy "answer song" to Petey Pablo's "Freek-a-Leek." She was born in Austin, TX, but with her father in the Army, Ciara spent time living in Germany, New York, California, Arizona, and Nevada before landing in Atlanta. In her early teens, she got a piece of paper out and wrote down her life's goal, to become a professional singer. She joined a girl group, worked on her songwriting, left the group, landed a publishing deal, and found a "music soul mate" when she met producer Jazze Pha. With Sean Garrett, the co-writer of Usher's massive hit "Yeah!," Ciara co-wrote "Goodies," and when Lil Jon heard the demo, he knew it was going to be big. LaFace released the Lil Jon-produced track in the summer of 2004, and its quick climb to the top of the Billboard Hot 100 was remarkable. With help from Pha, Garrett, and Lil Jon, Ciara released her self-titled debut in September the same year. The follow-up singles "1, 2 Step" featuring Missy Elliott and "Oh" featuring Ludacris both broke the Top Five in the U.S. in 2005. By the end of the year she joined Gwen Stefani on tour before teaming with Bow Wow and Chris Brown for a package tour in early 2006. The Evolution, her second album, was released near the end of the year; though it debuted at the top of the R&B/Hip-Hop Albums chart and a handful of subsequent singles ("Get Up," "Promise," "Like a Boy") placed within the Top 20 of the Hot 100, it did not perform quite as well as the debut. The May 2009 release of Fantasy Ride, her third album, was preceded by a few delays, including a pre-release single that failed to catch fire. Fantasy Ride was, nonetheless, her most star-studded album to date, featuring collaborations with Elliott andLudacris, as well as the-Dream, Young Jeezy, Chris Brown, and Justin Timberlake.

    

Nelly Furtado

Most Favor Song of Her

"Say It Right"

Biography

     When Nelly Furtado appeared with her neo-hippie, multiculti debut,Whoa, Nelly!, in 2001, a dance-diva makeover seemed like an impossibility, but the singer/songwriter revived and sustained her career with the sexually charged Loose in 2006, in the process consolidating her position as one of the most unpredictable artists of her decade. Furtado always proudly displayed her Portuguese heritage, a distinction that separated her from legions of emerging female singer/songwriters in the early days of the new millennium, but her uniqueness didn’t cease there: she had an ear for elliptical yet memorable melodies, a taste for Brit-pop balanced by an immersion in modern R&B and hip-hop. All this surfaced on Whoa, Nelly! and its hits “Turn Off the Light” and “I’m Like a Bird,” but she really pushed her rhythmic influences to the forefront on Loose, resulting in “Promiscuous” and “Man Eater,” her biggest hits to date, and suggesting that Furtado had many avenues yet to explore.

     A native of the Canadian city of Victoria, Furtado was a musically precocious child, learning to play a variety of instruments and singing in choirs, spending as much time listening to modern R&B like Mariah Carey and TLC as she did Brit-pop, eventually winding her way toward hip-hop and Brazilian music. Upon her high-school graduation she headed toward Toronto, soon joining the hip-hop duoNelstar. Not long afterward, the duo of Brian West and Gerald Eaton, core members of the Philosopher Kings, produced the Furtado demo that led to her contract with DreamWorks.
     Whoa, Nelly!, her first album, appeared in late 2000 andDreamWorks built the album gradually, capitalizing on strong reviews and a supporting slot for Moby, with the record truly taking off when “I’m Like a Bird” turned into a hit on a road that led to a Grammy for Song of the Year. This was one of four Grammy nominations and several hits including “Turn Off the Light,” which displayed her rhythmic roots in a way “I’m Like a Bird” did not. Furtado had a daughter as she was working on her second album, and her new role as a mother was evident on Folklore. Released in November 2003,Folklore was an ambitious album that garnered some good reviews along with some negative notices, and it failed to generate a hit.

     Perhaps the under-performance of Folklore pushed Furtado toward the musical makeover of Loose, the 2006 album produced largely by hip-hop superstar Timbaland. Heavy on grooves and overtly sexual,Loose had a pair of smash singles: “Promiscuous,” which was a chart-topper in the U.S., and “Maneater,” which performed the same feat in the U.K. Both singles set the soundtrack for 2006 around the world, helping the album shift seven million copies internationally. Her star status fortified, Furtado took her time delivering a follow-up, releasing her first Spanish-language album,Mi Plan, in September 2009.

  

Lady Gaga

Most Favor Song Of Her              "Bad Romance"

273,899,264  views On You Tub !

Biography

     Lady Gaga is a theatrical dance-pop performer whose debut single, the international chart-topping hit "Just Dance," established her as an up-and-coming superstar upon its release in 2008. Born Stefani Germanotta on March 28, 1986, the New York native attended Convent of the Sacred Heart, a private all-girl Catholic school in Manhattan, before proceeding to study music at New York University's Tisch School of the Arts at age 17. Influenced by flamboyant glam rockers such as David Bowie and Freddie Mercury (she would later draw her stage name from the Queen song "Radio Ga-Ga") as well as '80s dance-poppers such as Madonna and Michael Jackson, she began playing the piano at a young age and started writing original material as a teenager. In 2007, she began to make a name for herself on the downtown Manhattan club scene with a performance art show billed as Lady Gaga and the Starlight Revue (co-featuring Lady Starlight; born Colleen Martin, a DJ and makeup professional), and music industry insiders began to take note. While Lady Gaga was initially signed to Def Jam in 2007, nothing came of that association, and ultimately it was pop-rap superstar Akon who took her under his wing, signing her to his vanity label Kon Live in association with Interscope Records. 

     In addition to working for Interscope as an in-house songwriter, Lady Gaga began preparing the launch of her solo career. Her debut single, "Just Dance," was released to radio in April 2008, and her full-length album debut, The Fame, followed in August. Featuring fellow Akon affiliate Colby O'Donis, "Just Dance" slowly gathered momentum throughout 2008's latter half. The song debuted on the Billboard Hot 100 singles chart in August, at which time it had already become a massive club hit, but it didn't reach number one until January 2009. Internationally, the song proved similarly popular, reaching the Top Ten throughout much of Western Europe and beyond. In the wake of Lady Gaga's international breakthrough success with "Just Dance," the follow-up single "Poker Face" was an even larger hit, topping singles charts across the board with its combination of pop melodicism and club-worthy production. Two additional tracks -- "LoveGame" and "Paparrazi" -- also cracked the Top Ten, and The Fame was still enjoying a spot on the Billboard Top 40 when its follow-up, The Fame Monster, appeared in November 2009. Although originally planned as a bonus disc (to be packaged alongside The Fame in a deluxe edition of Lady Gaga's debut), The Fame Monster was quickly expanded to eight tracks, thus warranting its own release. Meanwhile, the leadoff single "Bad Romance" became Gaga's fifth consecutive Top Ten single.

        

EMINEM

Now Most Favor Song Of Him         "Not Afraid"

Biography

     To call Eminem hip-hop’s Elvis is correct to a degree, but it’s largely inaccurate. Certainly, Eminem was the first white rapper since the Beastie Boys to garner both sales and critical respect, but his impact exceeded this confining distinction. On sheer verbal skills, Eminem was one of the greatest MCs of his generation -- rapid, fluid, dexterous, and unpredictable, as capable of pulling off long-form narrative as he was delivering a withering aside -- and thanks to his mentor Dr. Dre, he had music to match: thick, muscular loops that evoked the terror and paranoia Em’s music conjured. And, to be certain, a great deal of the controversy Eminem courted -- and during the turn of the millennium, there was no greater pop cultural bogeyman than Marshall Mathers -- came through in how his violent fantasias, often directed at his mother or his wife, intertwined with flights of absurdity that appealed to listeners too young to absorb the psychodramas Eminem explored on his hit albums, The Slim Shady LP and The Marshall Mathers LP. With hits “My Name Is” and “The Slim Shady,” he ruled the airwaves, but it wasn’t long before some detractors acknowledged his depth, helped in part by singles like the mournful “Stan,” written from the perspective of an obsessed fan. Eminem capitalized on this forward momentum by crossing over onto the big screen with 8 Mile, earning acclaim for his performance and an Oscar for the film’s anthem “Lose Yourself,” but a number of demons led him to shut down for the second half of the decade, an absence that proved life is indeed empty without Em, before he returned in 2009 with Relapse.

     Born Marshall Mathers in the Kansas City suburb St. Joseph, Eminem spent his childhood between Missouri and Michigan, settling in Detroit by his teens. At the age of 14, he began rapping with a high-school friend, the two adopting the names "Manix" and "M&M," which soon morphed into Eminem. Under this name, Mathers entered battle rapping, a struggle dramatized in the fictionalized 8 Mile. Initially, the predominantly African-American audience didn’t embrace Eminem, but soon his skills gained him a reputation, and he was recruited to join several rap groups. The first of these was the New Jacks, and after they disbanded, he joined Soul Intent, who released a single in 1995. This single also featured Proof and the two rappers broke off on their own to form D-12, a six-member crew that functioned more as a Wu-Tang-styled collective than a regularly performing group.

     As he was struggling to establish his career, he and his girlfriend Kim had a daughter, Hailey, forcing him to spend less time rapping and more time providing for his family. During this time, he assembled his first album, Infinite, which received some underground attention in 1996, not all of it positive. After its release, Eminem developed his Slim Shady alter ego, a persona that freed him to dig deep into his dark id, something he needed as he faced a number of personal upheavals, beginning with a bad split with Kim, which led him to move in with his mother and increase his use of drugs and alcohol, capped off with an unsuccessful suicide attempt. All this Sturm und Drang was channeled into The Slim Shady EP, which is where he first demonstrated many of the quirks that became his trademark, including his twitchy, nasal rhyming and disturbingly violent imagery.
     The Slim Shady EP opened many doors, the most notable of them being a contract with Interscope Records. After Eminem came in second at the 1997 Rap Olympics MC Battle in Los Angeles,Interscope head Jimmy Iovine sought out the rapper, giving the EP to Dr. Dre, who proved eager to work with Eminem. They quickly cut Em’s Interscope debut in the fall of 1998 -- during which time Marshall reconciled with Kim and married her -- and The Slim Shady LP appeared early in 1999, preceded by the single “My Name Is.” Both were instant blockbusters and Eminem turned into a lightning rod for attention, earning praise and disdain for his violent, satirical fantasias.

     Eminem quickly followed The Slim Shady LP with The Marshall Mathers LP in the summer of 2000. By this point, there was little doubt that Eminem was one of the biggest stars in pop music: the album sold by the truckload, selling almost two million copies within the first two weeks of release, but Mathers felt compelled to tweak other celebrities, provoking pop stars in his lyrics, and Insane Clown Posse’s entourage in person, providing endless fodder for tabloids. This gossip blended with growing criticism about his violent and homophobic lyrics, and under this fire, he reunited his old crew, D-12, releasing an album in 2001, then touring with the group.

     During this furor, he had his biggest hit in the form of the moody ballad “Stan.” Performed at the Grammys as a duet with Elton John, thereby undercutting some accusations of homophobia, the song helped Eminem to cross over to a middlebrow audience, setting the stage for the ultimate crossover of 2001’s 8 Mile. Directed by Curtis Hanson, best-known as the Oscar-nominated director of L.A. Confidential, the gritty drama fictionalized Eminem's pre-fame Detroit days and earned considerable praise, culminating in one of his biggest hits with the theme “Lose Yourself,” which won Mathers an Oscar.

      After all this, he retreated from the spotlight to record his third album, The Eminem Show. Preceded by the single “Without Me,” the album turned into another huge hit, albeit not quite as strong as its predecessor, and there were some criticisms suggesting that Eminem wasn’t expanding his horizons much. Encore, released late in 2004, did reach into more mature territory, notably on the anti-George W. Bush “Mosh,” but most of the controversy generated by the album was for behind-the-scenes events: a bus crash followed by canceled dates and a stint in rehab. Rumors of retirement flew, and the 2005 appearance of Curtain Call: The Hits did nothing to dampen them, nor did the turmoil of 2006, a year that saw Mathers re-marrying and divorcing Kim within a matter of four months, as well as the shooting death of Proof at a Detroit club.

      During all this, Em did some minor studio work, but soon he dropped off the radarco
mpletely, retreating to his Detroit home. He popped up here and there, most notably debuting the hip-hop channel Shade 45 for Sirius Satellite Radio in September 2008, but it wasn’t until early 2009 that he mounted a comeback with Relapse, an album whose very title alluded to some of Mathers’ struggles with prescription drugs, but also announced that after an extended absence, Slim Shady was back. While not quite a blockbuster, the album went platinum, and Eminem followed it at the end of the year with an expanded version of Relapse (dubbed Relapse: Refill) that added outtakes and new recordings. Recovery, initially titled Relapse 2, was issued in June 2010. The album debuted on top of the Billboard 200 chart where it remained there for five consecutive weeks while its leadoff single, “Not Afraid,” debuted on top of the magazine’s Hot 100 singles chart.

  

MUSIC ON YOU: JAY-Z

MUSIC ON YOU: JAY-Z: "Now Favor Song Of Him Yong Forever Biography Embodying the rags-to-riches rap dream, Jay-Z pulled himself up by his bootstraps a..."

JAY-Z

Now Favor Song Of  Him      Yong Forever

Biography

     Embodying the rags-to-riches rap dream, Jay-Z pulled himself up by his bootstraps as a youth to eventually become the reigning rapper of New York City and, in turn, a major-label executive following his short-lived retirement from music-making. In the wake of his 1996 debut, Reasonable Doubt, Jay-Z's albums sold millions upon millions with each release, and his endless parade of hits made him omnipresent on urban radio and video television. He retained a strongly devoted fan base and challenged whatever rivals attempted to oust him from atop the rap game, sparing most memorably withNas. Jay-Z and his Roc-a-Fella associates greatly influenced the industry and established many of the trends that pervaded during the late '90s and early 2000s. He consistently worked with the hottest producers of the day (Clark Kent, DJ Premier, Teddy Riley,Trackmasters, Erick Sermon, Timbaland, Swizz Beatz), and if they weren't hot at the time, they likely would be afterward (the Neptunes, Kanye West, Just Blaze, 9th Wonder). He similarly collaborated with the hottest rappers in the industry, everyone from East Coast contemporaries like the Notorious B.I.G. ("Brooklyn's Finest") and DMX ("Cash, Money, Hoes"), to the best rappers from the South (Ludacris, Missy Elliott) and the West Coast (Snoop Dogg,Too Short). After his self-declared retirement from rapping in 2003, he assumed the presidency of the seminal rap label Def Jam and, as an industry executive, embarked on another phase in his illustrious career.

     Born and raised in the rough Marcy Projects of Brooklyn, NY, Jay-Z underwent some tough times after his father left his mother before the young rapper was even a teen. Without a man in the house, he became a self-supportive youth, turning to the streets, where he soon made a name for himself as a fledging rapper. Known as "Jazzy" in his neighborhood, he soon shortened his nickname to Jay-Z and did all he could to break into the rap game. As he vividly discusses in his lyrics, Jay-Z also became a street hustler around this time, doing what needed to be done to make money. For a while, he ran around with  Jaz-O, aka Big Jaz, a small-time New York rapper with a record deal but few sales. From Jaz he learned how to navigate through the rap industry and what moves to make. He also participated in the group Original Flavor for a short time. Jay-Z subsequently decided to make an untraditional decision and start his own label rather than sign with an established label like Jaz had done. Together with friends Damon Dash and Kareem "Biggs" Burke, he created Roc-a-Fella Records, a risky strategy for cutting out the middleman and making money for himself. Once he found a reputable distributor, Priority Records (and then later Def Jam), Jay-Z finally had everything in place, including a debut album, Reasonable Doubt(1996).

     Though  Reasonable Doubt only reached number 23 on Billboard's album chart, Jay-Z's debut eventually became recognized as an undisputed classic among fans, many of whom consider it his crowning achievement. Led by the hit single "Ain't No Nigga," a duet featuring Foxy Brown, Reasonable Doubt slowly spread through New York; some listeners were drawn in because of big names like DJ Premier and the Notorious B.I.G., others by the gangsta motifs very much in style at the time, still others by Jay-Z himself. By the end of its steady run, Reasonable Doubt generated three more charting singles -- "Can't Knock the Hustle," which featured Mary J. Blige on the hook; "Dead Presidents," which featured a prominent sample of "The World Is Yours," a 1994 hit by Nas; and "Feelin' It" -- and set the stage for Jay-Z's follow-up, In My Lifetime, Vol. 1 (1997).

     Peaking at number three on the Billboard album chart,  In My Lifetimesold much more strongly than its predecessor. The album boasted pop-crossover producers such as Puff Daddy and Teddy Riley, and singles such as "Sunshine" and "The City Is Mine" indeed showcased a newfound embrace of pop crossover. Yet there were still plenty of hard-hitting songs such as "Streets Is Watching" and "Rap Game/Crack Game" to lace In My Lifetime with gangsta rap as well as pop crossover. Jay-Z's next album, Vol. 2: Hard Knock Life (1998), released a year after In My Lifetime, was laden with hit singles: "Can I Get A..." and "Hard Knock Life (Ghetto Anthem)" broke the Top 20 of the Billboard Hot 100, while "Cash, Money, Hoes" and "Nigga What, Nigga Who" also charted. Vol. 2: Hard Knock Life ended up winning a Grammy for Best Rap Album.

     Like clockwork, Jay-Z returned a year later with another album,  Vol. 3: Life and Times of S. Carter (1999), which topped the Billboard 200 and spawned two hits: "Big Pimpin'" and "Do It Again (Put Ya Hands Up)." The album was Jay-Z's most collaborative to date, featuring ten guest vocalists and a roll call of in-demand producers such as Dr. Dre and Timbaland. Jay-Z then scaled back a bit for Dynasty Roc la Familia (2000), his fifth album in as many years. The album showcased Roc-a-Fella's in-house rappers: Beanie Sigel guests on seven of the 16 tracks, Memphis Bleek guests on six, and both Amirand Freeway also make guest appearances. On Dynasty Roc la Familia, Jay-Z also began working with a few new producers: the Neptunes, Kanye West, and Just Blaze. The Neptunes-produced "I Just Wanna Love U (Give It 2 Me)" became a particularly huge hit single this go-round.

     Jay-Z's next album,  The Blueprint (2001), solidified his position atop the New York rap scene upon its release in September. Prior to the album's release, the rapper had caused a stir in New York following his headlining performance at Hot 97's Summer Jam 2001, where he debuted the song "Takeover." The song features a harsh verse ridiculing Prodigy of Mobb Deep, and Jay-Z accentuated his verbal assault (including the lines "You's a ballerina/I seen ya") by showcasing gigantic photos of an adolescent Prodigy in a dance outfit. The version of "Takeover" that later appeared on The Blueprint includes a third verse, this one dissing Nas, who, in response to the Summer Jam performance, had called out Jay-Z, "the fake king of New York," in a freestyle known as "Stillmatic." As expected, "Takeover" ignited a sparring match with Nas, who responded with "Ether." Jay-Z accordingly returned with a comeback, "Super Ugly," where he rapped over the beats to Nas' "Get Ur Self a..." on the first verse and Dr. Dre's "Bad Intentions" on the second. The back-and-forth bout created massive publicity for both Jay-Z andNas. In addition to "Takeover," The Blueprint also featured "Izzo (H.O.V.A.)," one of the year's biggest hit songs, and the album topped many year-end best-of charts.

     Jay-Z capitalized on the runaway success of  The Blueprint with a number of follow-up projects. He collaborated with the Roots for theUnplugged album (2001) and with R. Kelly for Best of Both Worlds(2002). He then went on to record, over the course of the year, 40 or so new tracks, 25 of which appeared on his next record, the double album The Blueprint²: The Gift & the Curse (2002). Though billed as a sequel, The Blueprint² was considerably different from its predecessor. Whereas the first volume had been personal, considered, and focused, the second instead offered an unapologetically sprawling double-disc extravaganza showcasing remarkable scope. As usual, it spawned a stream of singles, led by his 2Pac cover "'03 Bonnie & Clyde" (featuring his glamorous girlfriend, Beyoncé Knowles from Destiny's Child). Furthermore, Jay-Z guested on a pair of summer 2003 hits: Beyoncé's chart-topping "Crazy in Love" and the Neptunes' Top Five hit "Frontin'."

     It was then that Jay-Z announced his imminent retirement after the release of one more album. That LP,  The Black Album (2003), was rush-released by Def Jam and soared to the top spot in the album charts at the end of the year. As always, it spawned a couple big hits -- "Dirt Off Your Shoulder" and "99 Problems" -- and inspired a popular mash-up bootleg, The Grey Album, by Danger Mouse. The subsequent year (2004) was a whirlwind for the retiring Jay-Z. He embarked on a farewell tour that was topped off by an extravagant Madison Square Garden performance documented on the Fade to Black DVD, and he also embarked on an ill-fated arena tour with the embattled R. Kelly that resulted in an exchange of ugly multi-million-dollar lawsuits.

     With his final album behind him and his reputation bigger than ever, Jay-Z accepted an offer to assume the role of president at Def Jam Records. The seminal rap label was struggling and needed someone to guide it through a rocky transitional phase. Jay-Z accepted the challenge and took over the company begun by  Russell Simmons andRick Rubin roughly 20 years earlier. (As part of its deal with Jay-Z, Def Jam's parent company, Universal, bought Roc-a-Fella, which resulted in some bitterness among certain associates upset by the buyout.) Considerable fanfare met the presidential inauguration, as Jay-Z became one of the few African-American major-label executives in the business, and he also became one of the few rappers to transition into that side of the business. Numerous rappers owned or operated their own boutique labels, but none had ever risen to such major-label heights. And the rapper-turned-president didn't take his job lightly, either, at least judging by his initial year at the helm. Within months of assuming his position, he fostered a string of newfound talents -- Young Jeezy, Teairra Marí,Rihanna, and Bobby Valentino, all of whom enjoyed considerable commercial success -- and only had a few setbacks (disappointing returns on albums by Memphis Bleek and Young Gunz).

     In 2005, Jay-Z came out of retirement for the I Declare War concert in New York City. The ambitious show featured a parade of high-profile guest stars, including  Diddy, T.I., Kanye West, and in a peacemaking move, Nas. With this longstanding beef squashed, Jay-Z announced he was coming out of retirement for good. He made it official when Kingdom Come hit the shelves in late 2006. Less than a year later, Jay-Z returned with another post-retirement album,American Gangster (2007), this one inspired by the concurrent film of the same name. Two years later, he released a third installment in the Blueprint series, The Blueprint 3. Announced with the single "D.O.A. (Death of Auto-Tune)," the album featured productions fromKanye West and Timbaland, plus guest features for West, Rihanna,Young Jeezy, and Alicia Keys.